All posts by Andrew Newman

West Side Story, Bord Gais Theatre Dublin, 8/11/13

 

 

 

Before I begin it’s come to my attention that  a number of people have not realised that the words in RED are click-able and send you to a link on Youtube or Wikipedia. This might happen a lot on my blog posts so note that for again. It my help explain some musical terminology or the music that I am writing about. So here’s the post:

Friday of last week, I travelled to Dublin yet again for another musical night out in the city this time going to the Bord Gais Energy Theatre. It was my first time there and as you can probably guess I saw a production of Bernstein’s ‘West Side Story‘.  Coincidentally this is the second time I’ve heard this music recently, but this time with the dancing and the singing. This  UK touring  company which have been touring around the world for 10 years or more.

I had seen this musical before over 10 years ago in London, so I always wanted to see it again so this time I brought my folks along with me. The Bernstein and Robbins estates are very strict on every production of the musical around the world so, every production is virtually exactly the same everywhere..

Inside the theatre itself it’s all very red and cosy, we were up in the balcony with a great view but alas I forgot to take a photo while there.   :-?

It all started with wonderful irish timing at 7:45 rather then 7:30 with the late comers. My main worry was that there wouldn’t be an orchestra and it would be piped music with live singing. But to my pleasant surprise there was an 18 piece band. I don’t know much about choreography or staging or lighting so I’m going to concentrate on the music. Firstly it seemed to me that everything was miked for the musicians to the singers which was okay for the singers, but for the musicians everything seemed very loud. Granted the acoustics in the theatre might have been superb and the players might have been playing naturally but to my ears it sounded amplified.

A list of the characters and how they’re related to each other is here

For anyone unfamiliar with the plot of Jerome Robbin’s updated version of Shakespeare, West Side Story is set in 1950′s New York City where newly arrived Puerto Rican immigrant Maria falls in love with American Tony, whose gang The Jets are rivals to The Sharks, led by Maria’s brother Bernardo.

As the pair fall in love with each other, the gang feud worsens ending in violence and death.

The cast have all appeared in the West End shows in London and touring groups over the last number of years. I’m going to concentrate on the leading 3 roles, Maria, Tony, and Anita,

Maria was played by Katie Hall who was finalist in the BBC programme to find a representative for the Eurovision Song Contest in 2009. She  had a fine voice almost operatic which the role of Maria needs. 

Tony was played by Louis Maskell was a bit problematic he has a fine voice most of the time, but from his very first song Something’s Coming I noticed that he had a problem with the volume produced in his voice, going out of tune in that and Maria and the Quintet. But he sang a wonderful high C which Bernstein, requires at the end of Maria.

Djlenga Scott, who acted,sang and danced as Anita, was the best of leading roles on stage that night. It was worth the tickets alone just to see her do all three mentioned above in the song ‘America‘!

The conductor for the evening was a young Australian called Ben van Tienen, sometimes conducting his 18 musicians a little too vigorously. Some scenes conducted to fast than a expected, ‘ A Boy Like That‘, others a little slow ‘Gee, Officer Krupke

The show was directed by Joey McKennly who has been directing this musical around the world for the past 10 years. He studied with Jerome Robbins so is handing down the knowledge and upholding the tradition of original version of West Side Story to a new generation.

Great show but a few small irritations (tempo changes) in the performance, a good night out all in all.

São Paulo SO; Marin Alsop, NCH Dublin 26/10/13

Last Saturday I traveled to Dublin for my first concert of my live music year, which runs from September to June.

I booked a hotel close by, the O’ Callaghan Hotel. Alas, the taxi I hopped into at the train station brought me to the wrong one! Apparently there are three O’Callaghan hotels in the city centre. So, following a second taxi journey, it cost me an extra €15 from hotel A to hotel B.

When I got to the NCH* I noticed there seemed to be a younger crowd than normal. The usual concert-going people are of an older generation; don’t get me wrong there were still quite a few, but less. Even more to my surprise, I didn’t spot anyone falling asleep during the concert – which happens a lot!

Anyway here is my review of the concert.

Programme:

Clarice AssadTerra Brasilis Fantasia sobre o Hino Nacional Brasileiro
Leonard BernsteinSymphonic Dances from ‘West Side Story’
Gustav MahlerSymphony No. 1 in D major

The American and now Irish** conductor Marin Alsop was, somewhat unusually, the second woman to take charge of a symphony orchestra at the NCH this weekend. Galway native Sinead Hayes made her debut with the NSO with a programme of Mozart on Friday evening.

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Hello and welcome to my new classical music blog: IrishPianoMan!

My name is Andrew Newman and you’re welcome to my classical music blog.

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Why classical music?
I’ve been listening to classical music for as long as I can remember. In the early 80′s my father had a tape of a guy called
Richard Clayderman. He wasn’t a classical pianist  per se, but I obviously listened to it with my father. We had an upright piano in the sitting room which was kinda always out of tune, but okay. Apparently one morning , when I was five, I started to play a tune of his called Ballade for Adeline (I had up to that point never played the piano before!).

I started piano lessons soon after that and that’s when my interest in classical music started. I can still remember the first recordings that were given to me as presents: Mozart piano concertos numbers 20, 21 and 23 with Maurizio Pollini and the famous recordings of  Beethoven’s symphonies numbers 5 and 7 with the great  Austrian conductor Carlos Kleiber.

I really didn’t like any music other than classical music from an early age which was, I suppose, a little odd. I never really strayed from the German/Austrian composers: Bach, Mozart, Beethoven, Schubert. The most radical music that I just about could tolerate was Mars from the Planet Suite by the English composer Gustav Holst! All these were found on a Christmas present that I got: ’The Essential Karajan’. I used to listen to that tape for hours until eventually it broke :(

The teenage years…
In around 1993 I got a CD player and started buying the, now defunct, magazine Classic CD. Each month it had an attached CD with 10 recordings of the month. This really opened my eyes to other composers music. I found Gustav Mahler and Igor Stravinsky whose music I would otherwise never have bothered listening to. I eventually realised that not all contemporary classical music sounded like the, in my opinion, awful music of the 20th century composer Karlheinz Stockhausen.

In 2002 I was introduced to the wonderful music of Magnus Lindberg, with his wonderful clarinet concerto. That opened my eyes to other contemporary composers who didn’t mind writing tunes e.g. Thomas Adès and Eric Whitacre.

What will be in my blog?
I have been presenting a classical music radio show on Claremorris Community Radio in Mayo every Sunday (at 3pm) called “Classical Sounds”. Each week I’ll be posting a podcast and the playlist and maybe a Spotify playlist here of my programme.

I also attend concerts fairly regularly at the National Concert Hall in Dublin. Next week I will have the unusual pleasure of a lady conducting an orchestra. Marin Alsop is bringing her São Paulo Symphony Orchestra who are on a 15 country tour with a great programme of music. I hope to review this concert and other’s that I’ll be attending in the future.

That’s all I hope you didn’t find this too rambling until next time. Cheerio!